At the exact center of the Machu Picchu citadel there is a space that breaks with the architectural density of the rest of the site: an open esplanade, with no buildings inside it, surrounded by the most important complexes of the archaeological site. It is the Main Plaza of Machu Picchu also called the Central Plaza or Great Plaza and it measures approximately 170 meters long by 55 meters wide.
For those arriving at the site expecting to find only walls and enclosures, this empty space can be surprising. But that openness is neither accidental nor an area that was left unbuilt: it is the result of a deliberate design decision. In Inca architecture, large open spaces within ceremonial centers had a function as clearly defined as any temple or palace. The plaza was not empty because there was extra land: it was empty because it needed to be.
Contents
- Location within the citadel
- How a flat surface was built on the mountain
- The function of the plaza: space for collective gathering
- The buildings that frame the plaza
- The hanan and hurin division of Machu Picchu
- The relationship with the landscape: the apus and the horizon
- What to observe when exploring it
Location within the citadel
The Main Plaza is located at the geographic center of Machu Picchu, dividing the site into two major zones. South of the plaza begins the agricultural sector, with the stepped terraces descending along the slope toward the Urubamba River. To the north lies the urban sector: the temples, elite residences, palaces, and the most important ritual spaces of the citadel.
This central position is not accidental. The plaza functions as the organizing hub of the complex: all internal paths of the site converge on it or pass along its edges. From any point in the citadel it is possible to reach the plaza by following the stone passages that connect the different sectors, and from the plaza all the major complexes can be accessed without major detours.
Its main axis runs from north to south, following the direction of the ridge on which Machu Picchu was built. This orientation does not respond to a specific astronomical alignment but rather to the topography: the ridge reaches its widest and most regular section precisely where the plaza was placed, and the Incas took advantage of that natural condition to create the only truly horizontal space in the entire citadel.

How a flat surface was built on the mountain
Machu Picchu was built on an irregular ridge at 2,430 meters above sea level, with slopes descending steeply toward the Urubamba canyon on both sides. Creating a plaza of this size on that terrain was not a simple operation.
The surface of the plaza is not the natural rock of the mountain leveled off; it is a platform built over a system of fill composed of layers of gravel and stone that function simultaneously as a stable base and as drainage. Machu Picchu receives between 1,800 and 2,000 millimeters of rain per year, concentrated during the wet season between November and March. Without an efficient water evacuation system, the plaza would become a muddy field for months. The Incas solved this problem from the beginning: beneath the plaza’s surface there is an underground drainage network that channels water toward the edges of the site without saturating the soil.
This system has been functioning for more than five hundred years without major structural intervention, which gives a very clear measure of the quality with which it was designed.
The function of the plaza: space for collective gathering
In Inca urban planning, large plazas within ceremonial and administrative centers had a specific purpose: to gather people for celebrations of the ritual calendar, acts of economic redistribution, and ceremonies linked to the solar and agricultural cycle. They were not transit spaces or recreational areas; they were stages for collective public life.
The Main Plaza of Machu Picchu would have functioned under that same logic. During celebrations such as Inti Raymi the festival of the sun at the June solstice or during the dates of the equinoxes, the plaza would gather the permanent inhabitants of the site along with visitors and officials arriving from other centers, and possibly even the Sapa Inca when he was residing in Machu Picchu.
Offerings, chicha libations, animal sacrifices, and the music of Andean ceremonies would have had the plaza as their main stage. There is no archaeological evidence of fixed altars or permanent hearths inside the space, which is consistent with its function: it was a place for temporary gatherings rather than a permanent place of worship with fixed installations.

The buildings that frame the plaza
The plaza is not an isolated space: its meaning depends on the architectural complexes that surround it, and all the major buildings of Machu Picchu have either a visual relationship with it or direct access to it.
On the western flank, on a platform elevated above the level of the plaza, lies the Sacred Plaza with the Temple of the Three Windows and the Main Temple. This elevation is deliberate: the most important ritual structures in Inca architecture are always located at a higher level than the plaza before them, reinforcing visually their character as restricted-access spaces compared to the more open nature of the central space.
To the north, the transition between the plaza and the Intihuatana area occurs through a staircase that climbs the stepped pyramid. From the plaza the summit of that pyramid is clearly visible, but reaching the Intihuatana requires passing through several controlled access points: a sequence of doorways and stairways that regulate who can approach and under what conditions.
To the east, a row of rectangular enclosures faces the plaza with windows opening toward the central space. These buildings, constructed more simply than the temples in the western sector, are interpreted by archaeologists as service or preparation spaces connected to the ceremonial activities that took place in the plaza.
To the south, the plaza opens toward the agricultural sector and toward the current entrance area of the site. From that end, the transition between the open ceremonial space and the agricultural terraces is clearly visible, making it easy to understand how the different functional sectors of the citadel were integrated.
The hanan and hurin division of Machu Picchu
The Main Plaza is also the line that materializes one of the most important structural divisions of Machu Picchu: the separation between the hanan sector the upper part, north of the plaza and the hurin sector the lower part, to the south. This organizational duality was a fundamental principle in the planning of Inca centers, which divided their settlements into two complementary halves with different hierarchies and functions.
At Machu Picchu, the hanan sector concentrates the highest-ranking buildings: the temples, the residences of the priestly elite, and the Intihuatana. The hurin sector groups together more practical complexes: storehouses, service buildings, and structures linked to agricultural production. The plaza, positioned between them, functions as the physical threshold that both separates and connects these two halves.
The relationship with the landscape: the apus and the horizon
From inside the Main Plaza, the relationship with the natural environment is one of the most striking aspects of the site. Huayna Picchu rises to the north like a green monolith closing the horizon in that direction. Machu Picchu Mountain dominates the south. The slopes descending toward the Urubamba canyon are visible on both sides, with the river flowing 400 meters below.
In the Andean worldview, mountains called apus are living entities capable of protecting or punishing the communities that inhabit their surroundings. Huayna Picchu and Machu Picchu Mountain were the protective apus of the citadel. The plaza, completely open toward both, functioned as a space of mediation between the inhabitants of the site and these sacred entities of the landscape.
Some researchers have pointed out that from certain points in the plaza it is possible to observe the sunrise over the horizon on dates of the Inca calendar, integrating the open space into the same system of astronomical observation that characterizes the Temple of the Sun and the Intihuatana. The plaza was not only a place for human gathering: it was also a point of contact between the rhythms of the sky and the life of the citadel.

What to observe when exploring it
The Main Plaza is one of the few spaces in Machu Picchu where visitors can walk freely without following a marked path. That freedom allows visitors to stop at different points and observe how the perspective of the complex changes depending on their position.
Some observation points worth seeking out:
- The center of the plaza facing north: from there you can simultaneously see the stepped pyramid of the Intihuatana and the silhouette of Huayna Picchu rising behind it. It is one of the views that best conveys the scale of the complex and the relationship between architecture and landscape.
- The western edge looking toward the Sacred Plaza: from this point the difference in elevation between the central plaza and the elevated platform where the Temple of the Three Windows and the Main Temple stand becomes clear. That difference in height often lost in photographs is fundamental to understanding the hierarchy of the space.
- The southern end looking toward the terraces: from here the transition between the ceremonial sector and the agricultural sector is fully visible, with the terraces descending in parallel bands toward the Urubamba Valley.
- Sunrise from the plaza: if the visit begins when the site opens at 6:00 a.m., the sunlight arriving from the east gradually illuminates the wall of the Temple of the Three Windows and the Intihuatana pyramid. It is the moment of the day with the fewest visitors and the best quality of light for observing and photographing the complex.
The Main Plaza of Machu Picchu does not accumulate the type of details visitors look for in the Temple of the Sun or the Intihuatana. It has no inscriptions, no solar alignments, and no sculptures carved in the rock. What it has is something harder to capture in a photograph: the ability to make visible, from a single point, the entire logic with which the citadel was designed. And that is, in many ways, the best reason to stop and spend time there.

